One of my romance spaces was talking about romances that don’t presume a child is necessary for the happily-ever-after of the romance. If you’ve read my work, obviously I’ve got a mix in here. I thought it might be interesting to talk about the variations.
(I obviously think people can find happiness in a whole bunch of different configurations and life choices. My characters make a wide range of choices, both in the immediate aftermath of a book and further down the road.)
Welcome to this week’s installment of “Idea to Book”, this time taking a look at The Hare and the Oak. It was a chance to take a look at three different strands I hadn’t spent much time wtih before. First, a deeper look at some of the implications of the Great War and the land magic. Second, what it’s like for someone who’s magical but not folded into Albion’s culture to figure it out. And third, a later in life romance (and what that means for Cyrus, in particular.)
As always, there are some mentions of things that are spoilers (though I’m not getting deeply into the plot details of the book).
Land magic and the implications of the war
One of the things I think about a lot – fairly obviously if you read more than a few of my books – is the way the Great War changed people. Specifically, and also repeatedly, how it changed their relationship to the land magic. Great Britain and Ireland weren’t touched by direct fighting the same way as continental Europe war. (Or as they would be in the Blitz and other bombing raids of the Second World War.) And yet, there were an awful lot of changes to the land as a result.
There were even more changes for the people who went and fought and came back. The sheer fact of being in the trenches would be destructive to many people’s land sense. That’s even before you get into issues like shell shock, trench collapses, or the sheer awful misery of trench warfare in general.
A variety of experiences
Geoffrey Carillon, in his various books, recovered his through a set of chance timing. It brought him back to Ytene at a key point in his own life after he’d been pulled out of the trenches for other war work. Some people, like Adam in Mistress of Birds recovered some of it, but a lot more slowly and uncertainly due to other parts of their War.
Right now, I’m editing Old As The Hills and Upon A Summer’s Day, books that focus on Gabe and Rathna. More than one person notes that Gabe is unusual for not having had that particular damage to his landsense to work around. His injury happened just before he could have enlisted.
Other ways that could go
But there are lots of people who are still struggling with that, and who like Lionel did not necessarily get some of the tools or magical approaches that might have helped bridge the gap. It’s possible, for example, that if Lionel’s father had lived a bit longer, Lionel might have recovered enough of the land sense without being responsible for managing all of the implications yet. Or maybe not.
A new view of Albion
One thing I wanted to do somewhere about this point in my writing, was have fun with a character who was coming into Albion’s culture – and especially its assumptions about that culture – as an adult. Nora’s not a point of view character, but her opinions about some of this nonsense are quite obvious on the page. She’s not afraid to question the things that seem foolish to her. But she’s also willing to listen to the fact there might be a reason for them.
Nora’s a teacher by profession, and she’s curious. But she also doesn’t have a lot of previous experience to match against, because her background is so different. This means there’s a lot of fun to be had with Cyrus and Mabyn trying things out. They have to figure out what she responds to, and whether she can learn what’s needed promptly enough.
A later in life romance (and Cyrus in particular)
Finally, I heard from more than a few readers that they really enjoyed seeing an older couple (in Seven Sisters). I wanted to spend a bit more time with a romance like that. Cyrus, of course, first got significant page time in Sailor’s Jewel, where he’s a significant secondary character. I wanted to contrast the death of his wife (very young, and in traumatic circumstances that led to a number of Cyrus’s later choices, including his challenge for the Council) with Mabyn’s.
Her marriage was a good one by the standards of the Great Families, but it was not at all happy. It was emotionally constraining at the very least. Quite arguably it was emotionally abusive and neglectful for significant periods of her marriage. Seeing how she was willing to look at things again, and how building some trust with Cyrus in other areas changed her view of him – and other parts of her world – was great fun.
I particularly love the way they balance each other, in terms of personality, magical interests, and background, without actually overlapping all that much except for both being on the Council. (Don’t worry, there’s more coming, as an extra, about Cyrus’s time as head of the Council starting in 1932.)
It is the time of year where a roundup of what I did seems useful for a variety of reasons. (Come back next week for what’s coming in 2023!)
What came out in 2022
I put out four novels, two novellas, and a substantial extra in 2022. That’s a lot! Links here that aren’t the title (in the header) will take you to my public wiki. There you can see more details about people and places.
Are you curious about the land magic? Carillon’s background? What it means to be a Lord in Albion?
Did you know there’s a new novella out? It’s my treat if you sign up for my newsletter.(Feel free to unsubscribe when you need to, of course. But I hope you’ll stick around, at least for an email or two that will let you get all the other treats I share with my newsletter subscribers.)
Ancient Trust is all about what happens when Geoffrey Carillon inherits the title on his brother’s death. It has quite a lot about the land magic customs at Ytene. It also led to some interesting questions from a reader.
(I love reader questions. Sometimes I haven’t settled on my final answer about something. But I’ll let you know if you ask something I can’t answer yet. Or if you ask something that’s too much of a spoiler for something that’s coming out in the future.)
It got me thinking, how do the Lords of Albion engage with the House of Lords? Is attending Westminster an additional responsibility for Carillion? Do Albion peerages result in having the right to sit in the House? And what about the women? How does the Land Magic recognise women?
These are great questions – and also some that I haven’t quite found the right place to get into text. Let’s take this one by one in an order that should help.
Hello, and welcome to 2022! I have aspirations and intentions of doing more regular blogging about my books and writing this year, so I thought it’d be great to start out with what I’m hoping to write and publish this year.
(As always, my newsletter gets all the news first, including some additional details that won’t be on the blog. Also some extra scenes or short stories from time to time as I’m inspired to write them.)
I’m hoping to release 4 books and 2 novellas in 2022. Because of the way I draft and edit, three of the four novels already exist in draft (or will within a week or so, I’m finishing one of them right now.) My goal is to hit the months indicated, but it’s a changeable world out there, so dates may shift somewhat in the process.
The Hare and the Oak: A later-in-life romance featuring Cyrus Smythe-Clive (seen in Sailor’s Jewel as Rhoe’s older brother, and briefly in Carry Onand Eclipse). When Lord Baddock shows up at the Council Keep looking for help, Cyrus and Mabyn Teague (seen briefly at the end of Eclipse) need to figure out why the land magics are failing, find a lost heir, deal with Lord Baddock’s difficult mother, and decide how much they’re willing to trust each other. Out sometime in February 2022.
Point By Point: Lydia needs to make a name for herself as a journalist, but she needs an entry point into the right social circles to investigate a particular story. When Galen (last seen in In The Cards) agrees to help, they’re drawn into a world of horse racing and dangerous secret societies. Fortunately, with the help of the Dwellers in the Forge, including Martin (Galen’s best friend), they’re able to find a way through. (Alternately, ever wonder about the aftermath of Magician’s Hoard? This is also about what happened next.) Out in May 2022.
Mistress of Birds: When Thalia’s great-aunt needs a rest cure, Thalia agrees to stay at her estate on the edge of Dartmoor to keep an eye on the place. (Thalia’s career as an author isn’t going very well, so getting room and board doesn’t exactly hurt.) Once there, she discovers a mysterious man in the apple orchard, and a series of odd and spooky events around the ancient house. Out in August 2022. Last book in the Mysterious Powers series.
Also coming out in 2022 if all goes well are three things that I haven’t written yet…
In the writing stack
When I wrote Eclipse, my editor Kiya left a note at one point saying “I now sort of want the buddy cop story in which Alexander and Carillon team up to utterly destroy a munitions smuggler.” Every single one of my early readers (all friends) left comments wondering how they could encourage that to happen. Since I can take a hint, I started thinking about how to make it work.
Best Foot Forward is going to be the result. Here’s the trick: while it’s about friendship and chosen family, and caring about other people, it’s not actually a romance. (Alexander is both asexual and aromantic. He doesn’t have the terms for either, though he’d grab them with both hands if he could.) Carillon, mind, is still very happily married to Lizzie (see Goblin Fruit and On The Bias), so there’s going to be some needful conversations and sorting out what to do about this man who is, in other ways, very much Carillon’s type.
I’m going to start writing this one in February, and it’s looking like it’s going to be a grand set of adventures across the Contintent in 1935. (Probably mostly Germany and Switzerland, but I reserve the right to change my mind later if I have a better idea.) It should be out in November 2022.
I’ve been saying I didn’t want to get into the Second World War, but having had this idea, it feels wrong to just do one book in the time period. I have now laid out the bones of two more books (to make a trilogy). Chances are decent there will eventually be some surrounding novellas, too.
The second book doesn’t have a title yet, but it’s going to deal with Gabe and Rathna (from The Fossil Door) in 1940 and focus largely around their relationships with their apprentices and communities. Why? For a lot of the book, they’re going to be in different places. (Yay for magical journals and direct speedy communication? Makes a long-distance relationship so much easier.)
Also, it will be full of land magic, the Magical Battle of Britain from Albion’s perspective, and a bit more portal magic applied in service of getting people to safety. I plan to start writing this one in August 2022 and it will be out in May of 2023 if all goes well.
The third book? Well, for the moment, let’s just say that sitting down to work out the next generation (i.e. who of my extant characters had kids in the late 20s and 30s, and what’s going on with their families) led to an idea that is also decidedly not a romance.
It is, however, set at Schola. (I’ll be sharing more with my mailing list about this, first, so check in there if you want more details.) I don’t plan to start writing this one until February of 2023.
Now that I’ve finished a second series of 1920s books, I need to start a new one, right? I’ve got all these secret societies attached to Schola, and only one of them has gotten any serious time on the page (the Dwellers at the Forge, in both In the Cards and the forthcoming Point By Point.)
I haven’t actually sketched out the details of this series yet in more than very broad strokes, but they’ll
a) Take place during the 1920s (or maybe the Great War)
b) Each book will have at least one main character who’s a member of one of the seven secret societies.
c) Each will focus on some sort of art (or craft) – I’m thinking about things like music and dance and theatre, but also considering things like bookbinding, perfume making, illusion performances, jewellery making, or dyecrafting. If you have something you’d love me to think about, drop me a note via the contact form or email.
Once I figure out the sequence, my plan is to write one in May 2022, and one in November, with them coming out in 2023. (I normally write over a 3 month period, and then it sits for a bit before I edit. This is why I can be fairly predictable about release dates, if you’d been wondering that…)
I’ve been chewing on a prequel novella about Carillon inheriting the title for a while, and in December finally figured out how to structure it properly. It will be a freebie for signing up for my mailing list (you’re always able to immediately unsubscribe if you’d rather…) and I’ll announce it here and on social media when it’s available. I expect it to have a lot of Carillon and Benton, and also spend some time with how Carillon, Richard and Alysoun Edgarton, Giles Lefton, and Hippolyta FitzRanulf connect to each other. This one’s set in 1921.
Time and energy allowing, I’m also hoping to do a prequel novella for the Mysterious Powers series, focusing on how Roland Gospatrick’s parents (seen in Carry On) decided to marry each other, and how that started.
I’m aiming for the Carillon novella to be out sometime over the summer, and the Gospatrick one sometime after that.
I have somehow written a lot of books! I know it can be confusing to figure out who’s in which book, or the complete timeline, or where things are located.
Help is on the way, however. I spent my vacation time over the holidays working on a solution. It needs some more hours to get everything sorted the way I want, but I’m expecting to be able to share the core of it starting in January or maybe February. Keep an eye on my newsletter for more (including a sneak peek) and let me know if there’s a topic you’d particularly like me to cover.
(Or for that matter, if there’s something you’d like me to blog about. I’m aiming for every fortnight, aka every two weeks, and I’m going to start with some “Idea to book” posts.)