Levels of magical power
What are the levels of magical power in Albion, and how does that play out for specific people? Here, I answer a question from a reader about that.
What are the levels of magical power in Albion, and how does that play out for specific people? Here, I answer a question from a reader about that.
Elizabeth Mason is a woman of many talents – investigation, art, a spot of forgery, and more. Here’s a look at her life and skills.
Find out the ideas behind The Magic of Four: a love of classic school stories, exploring a second generation of characters, Schola and her magic. And oh, yes. Horses.
A guide to neurodiverse characters in my books, as of 2024. (Check out the grid early in the post for the current complete list.)
What is architectural magic like in Albion? This post takes a look at some of the theory and practice, including how it affects the demesne estates and land magic.
Explore the history of Richard Edgarton in all his many roles: Lord, Captain in the Guard, magistrate, husband, father, and lover of the land.
A quick look at which of my books are part of FaRoFeb 2024’s sales and promotions.
It’s late December, which means it’s also the time when various sites post their reading challenges. If you’re doing one in 2024, here’s a guide to which of my books might fit particular categories. (If you’re doing a challenge not listed here, and other people can join in, send me a link and I’ll add it!) You might also want to check out my post about summer reading challenges from the summer of 2023. The two challenges I’m pulling from for this post are the Book Riot’s Read Harder 2024 challenge and the 2024 PopSugar Reading Challenge. They have some overlapping categories, so I’m going to note which challenge applies, and the books I’ve written that might apply.
One of the questions that I hear fairly often these days is “Which of your books should I start with?” I now have an entire page on this website to help with your questions about reading order. The short answer is: “Start anywhere you like with any book set before 1935.” (Though there are a couple where you might have more fun in a specific order.) Read on for a few more thoughts about that.
Reviews are a fantastic way for readers to help out authors they want to support. But a lot of readers are nervous about what to write, where to share them, and what they ought to know about the process. Here’s a little demystification to help. I’m focusing here obviously on books, but the same basic process can help with music, podcasts, and all sorts of other content out there. The short version: Leaving a brief (2-3 sentence) review of books you love wherever you get or talk about your books is a fabulous way to both help other readers and the author. They don’t need to be long or complicated to help. What kind of review are we talking about? When authors talk about reviews helping, what we mean is usually something simple. We’re talking about a review of one to four sentences from a real human who read the book and wanted to share a couple of thoughts. You don’t need to be elaborate and you don’t need to include tons of details. Reviews like this help provide what gets called “social proof”, that real humans read the book and had a range of feelings about it. Detailed reviews and literary criticism are fantastic too – but they’re a completely different thing. Many people aren’t up for writing that (and certainly not about all the books or music or whatever else it was they enjoy).
Are you curious about the land magic? Carillon’s background? What it means to be a Lord in Albion? Did you know there’s a new novella out? It’s my treat if you sign up for my newsletter. (Feel free to unsubscribe when you need to, of course. But I hope you’ll stick around, at least for an email or two that will let you get all the other treats I share with my newsletter subscribers.) Ancient Trust is all about what happens when Geoffrey Carillon inherits the title on his brother’s death. It has quite a lot about the land magic customs at Ytene. It also led to some interesting questions from a reader. (I love reader questions. Sometimes I haven’t settled on my final answer about something. But I’ll let you know if you ask something I can’t answer yet. Or if you ask something that’s too much of a spoiler for something that’s coming out in the future.) The questions: It got me thinking, how do the Lords of Albion engage with the House of Lords? Is attending Westminster an additional responsibility for Carillion? Do Albion peerages result in having the right to sit in the House? And what about the women? How does the Land Magic recognise women? These are great questions – and also some that I haven’t quite found the right place to get into text. Let’s take this one by one in an order that should help.
I got an email from a reader (hi!) asking a couple of questions, including this one: “In your romantic couples, the women seem to be consistently a little older (or a lot older) than the men. Was this a conscious choice, and if so, is there a reason for it?”
Pastiche is my first Edwardian book, mostly set in 1906. That year turns out to be interesting for medical history reasons, but it’s also in the middle of a period rich in artistic and creative activity. Living well with chronic illness Alysoun, the heroine of this book, lives with what we’d call fibromyalgia today. At the time of the book, they don’t quite have a name for it: fibrositis (the earlier name) shows up in the medical literature for the first time late in 1906. What she knows is that her body aches – often and also unpredictably. She struggles with fatigue and brain fog, wanting to have an engaged and active life, and yet also not wanting to spend her limited time and energy on social events she doesn’t enjoy. The trick is that she is Lady Alysoun, married to Lord Richard, who not only has those obligations to the land magic, but who is also a member of the Guard (Albion’s equivalent to the police, more on that in the next section), and who is asked to become a magistrate in the course of the book. Being a magistrate comes with a number of additional social obligations for both of them, as well. My chronic health stuff is not exactly the same as Alysoun’s – though at points in my life, I have had a lot more of all of her main symptoms than I do at the moment (if sometimes in slightly different modes.) Writing that experience,