Albion: The original inspiration
All about the original inspiration for Albion and my writing – a chance comment about the Wars of the Roses and exploring different kinds of stories.
Idea to Book: The Magic of Four
Find out the ideas behind The Magic of Four: a love of classic school stories, exploring a second generation of characters, Schola and her magic. And oh, yes. Horses.
Where to start
One of the questions that I hear fairly often these days is “Which of your books should I start with?” I now have an entire page on this website to help with your questions about reading order. The short answer is: “Start anywhere you like with any book set before 1935.” (Though there are a couple where you might have more fun in a specific order.) Read on for a few more thoughts about that.
Lords & Ladies: A guide to the land magic
Are you curious about the land magic? Carillon’s background? What it means to be a Lord in Albion? Did you know there’s a new novella out? It’s my treat if you sign up for my newsletter. (Feel free to unsubscribe when you need to, of course. But I hope you’ll stick around, at least for an email or two that will let you get all the other treats I share with my newsletter subscribers.) Ancient Trust is all about what happens when Geoffrey Carillon inherits the title on his brother’s death. It has quite a lot about the land magic customs at Ytene. It also led to some interesting questions from a reader. (I love reader questions. Sometimes I haven’t settled on my final answer about something. But I’ll let you know if you ask something I can’t answer yet. Or if you ask something that’s too much of a spoiler for something that’s coming out in the future.) The questions: It got me thinking, how do the Lords of Albion engage with the House of Lords? Is attending Westminster an additional responsibility for Carillion? Do Albion peerages result in having the right to sit in the House? And what about the women? How does the Land Magic recognise women? These are great questions – and also some that I haven’t quite found the right place to get into text. Let’s take this one by one in an order that should help.
Question answered! Character ages
I got an email from a reader (hi!) asking a couple of questions, including this one: “In your romantic couples, the women seem to be consistently a little older (or a lot older) than the men. Was this a conscious choice, and if so, is there a reason for it?”
Threading characters through books
One of the things I love most about writing about Albion is being able to weave people through different books. Sometimes this is in a big way. All the books in the Mysterious Charm series deal with people who are friends or allies or co-conspirators (as the case may be) with Lord Geoffrey Carillon. But sometimes it’s more subtle. Take Farran Michaels, for example. He first appears (if you read the series by number, which isn’t chronologically in time) in the first chapter of Goblin Fruit as one of the young men apprenticed to the auction house. He turns up later in Magician’s Hoard as a representative of the auction house (he’s now a more senior apprentice). But how did he get there? And what’s with his particular gift for materia and objects? That’s where Seven Sisters comes in. While it’s his uncle who’s the hero of that book, Farran’s present for much of the action. I love being able to tuck those little touches in. Albion is a sizeable community, but it’s not huge. With only a few more academically focused magical schools, people who went to those schools tend to know each other. Others interact in significant but small professional communities. And, as an author, it’s a lot more fun to do a passing mention of a character I’ve already gotten to know in passing, rather than Random Standin#42. Readers new to the series with that book should be able to follow everything, but people who’ve read and
Idea to Book: Goblin Fruit
The idea for Goblin Fruit was actually the first idea for the series. Long story short, it came out a fannish project where we were coming up with books and works that might have been read. I have loved the Dorothy L. Sayers Lord Peter Wimsey books since I first read them (sometime in my early teens), and Lord Geoffrey Carillon is very much meant to be cut from a similar cloth as Wimsey. They’re both intelligent men who underplay their brains to be more effective investigators in varied social circles, and they’re both younger sons of respected noble families. And they both had a bad war that included some amount of intelligence work in the midst or aftermath. But Carillon has inherited the title (and its obligations), and had to return from his explorations abroad to take over his duties. That, naturally, includes finding someone to marry so there is a next generation. I’m also fascinated by Christina Gabriel Rosetti’s famous poem, “Goblin Fruit” about two sisters, one of whom tastes the food and drink of the trooping goblins and is enchanted, saved by her sister’s loyalty. That formed the core of the plot for this book, figuring out what kind of magical temptation would be there, and how Lizzie and Laura would deal with it. I wanted to talk about tuberculosis. I knew from the beginning that part of the reason Lizzie was so protective of her younger sister was because Laura had been in poor health for most
Recs and notes
Elsa Sjunneson-Henry (who is deafblind) just won a Hugo Award (one of the major awards in Science Fiction and Fantasy) for her work on the issue Disabled People Destroy Science Fiction. She started a Twitter thread of recs and comments about works by and about people with disabilities – there’s some great stuff there from a wide range of genres and perspectives. (And a lot more I want to go read that I haven’t yet.) I don’t usually identify myself bluntly as disabled but I have half a dozen chronic health issues. They add up to somewhere between mildly and moderately disabling depending on what’s flaring at the moment, but my life is mostly set up that a lot of it isn’t that noticeable. Embodiment is weird. But I missed the Twitter thread originally because it was a migraine day. (Thanks, weather…) If you’ve read my books, you’ve probably noticed that they have a bunch of main characters with disabilities and chronic health issues that affect their lives. For the books that are out now, that includes: Rufus and Carillon who both deal with with what we’d now call PTSD (trauma from the Great War) that come out in different ways. (They had different experiences and are different people, so that makes sense.) Laura, who has survived tuberculosis (but spent the better part of a decade in and out of sanitariums and other treatment). Giles, who was blinded in a (magical) gas attack in the war. Magician’s Hoard doesn’t have
Goblin Fruit is out!
Welcome to 1924, when a mysterious, addictive, and quite possibly dangerous new magical drink is sweeping the house parties of Albion. You can read the blurb over here (along with links to purchase from your favourite sites). I’ve loved Dorothy L. Sayers and her mystery novels for a long time. I was introduced to them by my father, and read the copies I inherited from him so often I’ve had to replace them (a couple of them twice…) Goblin Fruit grows out of that love in many ways. Lord Geoffrey Carillon is not Wimsey – they differ in a number of specifics. But they both had a bad war, that shook their sense of self. Carillon spent several years on expeditions to wild and lonely places, before inheriting the estate from his older brother. There’s pressure on him to support and protect the people on his lands, marry, and do a dozen other things. Lizzie Penhallow has had a bad few years. She worries about whether her sister will have a relapse of tuberculosis, about how to keep the chimeny on their family home from falling down. And about whether anyone will ever hire her for anything she’s good at, after her father and uncle disappeared on an expedition (along with all the money invested in them.) Like Harriet Vane in the Sayers novels, she’s dogged by scandal, but also very practical about using her skills and her intelligence to try and find a way out. I’m mostly not a poetry