Idea to Book : Nocturnal Quarry
The ideas behind Nocturnal Quarry are all about Alexander Landry. Well, Alexander in his element, tying up a few loose ends, and family of choice and blood.
The ideas behind Nocturnal Quarry are all about Alexander Landry. Well, Alexander in his element, tying up a few loose ends, and family of choice and blood.
The ideas behind Best Foot Forward: the comment that started it all, Alexander and Carillon, music, and Vienna.
Learn about the ideas behind Ancient Trust, a novella about Geoffrey Carillon and Thomas Benton in 1922. Those include the Carillons, Carillon and Benton, and connections to other people.
Explore the ideas behind Sailor’s Jewel: ocean liners, siblings, sea monsters, and magical jewels.
Learn about the ideas behind Complementary: Elizabeth Mason, artist colonies, and folklore.
Learn about the ideas behind Mistress of Birds: the title, gothic romances, Dartmoor, and apples.
The ideas behind Point By Point: Galen, Dwellers at the Forge, Dick Francis, and people being up to no good.
Welcome to this week’s installment of “Idea to Book”, this time taking a look at The Hare and the Oak. It was a chance to take a look at three different strands I hadn’t spent much time wtih before. First, a deeper look at some of the implications of the Great War and the land magic. Second, what it’s like for someone who’s magical but not folded into Albion’s culture to figure it out. And third, a later in life romance (and what that means for Cyrus, in particular.) As always, there are some mentions of things that are spoilers (though I’m not getting deeply into the plot details of the book). Land magic and the implications of the war One of the things I think about a lot – fairly obviously if you read more than a few of my books – is the way the Great War changed people. Specifically, and also repeatedly, how it changed their relationship to the land magic. Great Britain and Ireland weren’t touched by direct fighting the same way as continental Europe war. (Or as they would be in the Blitz and other bombing raids of the Second World War.) And yet, there were an awful lot of changes to the land as a result. There were even more changes for the people who went and fought and came back. The sheer fact of being in the trenches would be destructive to many people’s land sense. That’s even before you get into issues
Fool’s Gold has a slightly different origin than many of my story ideas. Kiya (my friend and editor) had been talking to a friend of theirs who loves a disaster elf. Kiya told me about that. And then promptly said I should do something more with Robin, I hadn’t done a villain redeemed book yet. Which, to be fair, is exactly what Robin is made for. Villain redeemed Robin turns up in two earlier books. He appears briefly in Wards of the Roses, wanting to get more involved with the research that begins at the end of that book. Kate isn’t at all sure what she thinks of him, and Kate has good instincts. Here’s how she describes him then: Kate paused, then cleared her throat. “He did the thing where a man reaches to kiss your hand, a little click of his heels, the precise angle of the bow, and the – gleam in his eye. Not the sort who’d push you into a convenient dark corner for his own pleasure, but the sort who uses his charm to get what he wants.” And of course, if you’ve read Seven Sisters, Robin has definitely been up to no good, and with some potentially dangerous results. He’s so bent on what he’s searching for that he doesn’t see anything else, or doesn’t think about the consequences. The question with Fool’s Gold was how to write a story where he could be an engaging protagonist and have a romance that was satisfying.
I love all my books – and all my point of view characters – but Thesan and Eclipse are particularly near and dear my heart. (I love Isembard too, mind you.) This staffroom romance at a magical school has a special place in the series, too. Education and the foundations of Eclipse I grew up in the US, but with British parents. Every year, my father would go off to spend a week or so in England – for research, to see shows in the West End (he was a theatre professor), and to see friends. He’d come back with his suitcase half full of books, many of them for me. School stories There’s a whole glorious literature of children’s school stories in British children’s lit. The ones I grew up on were mostly Enid Blyton’s St. Clare’s and Malory Towers books, and the Chalet School books (there are many, and the first half or so are set in a school in the Austrian Tyrol, but run on a British girls school model, before it moves due to the Second World War.) But there are many many other books of that type and certainly many references to the boarding school experience. The houses, the rivalries between them (even when you’re put in them in purely pragmatic ways), and the many things that students get up to when they’re not right under a teacher’s nose (and sometimes when they are) were all part of the tapestry for me. My own education and
Welcome to our Idea to Book post for The Fossil Door! I’ve been spending a lot more time with Gabe and Rathna recently, thanks to writing Old As The Hills and Upon A Summer’s Day (coming out in May and June 2023), and getting to spend time with both of them at two different points in their lives has been fantastic. The Fossil Door has so much that I love – an amazing location, portal magic, and of course the way Gabe and Rathna get to know and trust each other.
The next book in our Ideas to Books series is Carry On, set in 1915, almost entirely in the Temple of Healing in Trellech. When I started thinking about the Mysterious Powers series as a way to look at what was going on with the various institutions of Albion during and in the aftermath of the Great War, I knew I needed to be a little more consistent about planning out my timeline. (Unlike the Mysterious Charm books, which bounce around the 1920s out of sequence.)
Time for another in the ongoing Idea to Book series. This time, we’re starting with the prequel to the Mysterious Powers series, Forged in Combat. (Yes, even though it’s my most recent release as I write this.) Forged in Combat is the romance of Arthur and Melusina Gospatrick, the parents of Roland Gospatrick, hero of Carry On (the first book in the series.)
Pastiche is my first Edwardian book, mostly set in 1906. That year turns out to be interesting for medical history reasons, but it’s also in the middle of a period rich in artistic and creative activity. Living well with chronic illness Alysoun, the heroine of this book, lives with what we’d call fibromyalgia today. At the time of the book, they don’t quite have a name for it: fibrositis (the earlier name) shows up in the medical literature for the first time late in 1906. What she knows is that her body aches – often and also unpredictably. She struggles with fatigue and brain fog, wanting to have an engaged and active life, and yet also not wanting to spend her limited time and energy on social events she doesn’t enjoy. The trick is that she is Lady Alysoun, married to Lord Richard, who not only has those obligations to the land magic, but who is also a member of the Guard (Albion’s equivalent to the police, more on that in the next section), and who is asked to become a magistrate in the course of the book. Being a magistrate comes with a number of additional social obligations for both of them, as well. My chronic health stuff is not exactly the same as Alysoun’s – though at points in my life, I have had a lot more of all of her main symptoms than I do at the moment (if sometimes in slightly different modes.) Writing that experience,