Best Foot Forward is full of music. It’s not only full of music, but it gave me classical music back. There’s so much music that I’ve written a full explanation (complete with a playlist you can listen to). Learn more about the music in what I’ve been calling Best Ear Forward). Note that it does contain spoilers for the book!
In a recent newsletter, I mentioned that working on Old As The Hills had let me test a research note model for more research-demanding fiction that’s working pretty well. (This is also in service to my contemplating a 1480s series set around the time of the Pact sometime down the road. I have a ton of background reading to do before I can even think about it, so no time soon.) As I suspected, more than one reader was interested in how I set that up, so here’s a glimpse into my research notes. (Click through on the screenshots to see a full size version, but I’ve also described the contents in the text.)
I’m currently in the editing process for Best Foot Forward, and thought you might find a glimpse into the process interesting. I do most of my writing on the desktop that lives in my bedroom. However, I do most of my editing on the laptop that lives in the living room, which has fewer distractions. Here’s a shot of what that looks like. Read on for a description of both the image and the process.
Last Saturday, I went on an adventure with Kiya, my long-time friend and editor. We drove out to western Massachusetts (about a two hour drive from where I live) for a session with New England Falconry. Why? Writing research, of course! Falconry, Carillon, and upcoming delights Lord Geoffrey Carillon is a great many things, but among them, he is a falconer. As mentioned in On The Bias, he used to fly a Eurasian eagle-owl, named Theodora (who also appears in that book). However, the sniper wound he got during the Great War (in his left shoulder joint) means that he can’t hold that much weight on his extended left hand for very long. (Eurasian eagle-owls are about 8 pounds for females. Extremely sizeable birds.) Since the early 1920s, he’s instead flown a merlin named Helena. Merlins are a vastly smaller bird – about 8 ounces or half a pound. (They also carry a number of different social implications.) Then I wrote the draft of Best Foot Forward (out in November 2022) and – there is more falconry. It’s set in 1935, when Carillon is fully settled into his current life, but collaboration with Alexander Landry brings about a new set of challenges. Alexander also has a certain number of opinions about hawks and falcons, as it turns out, though largely on a more metaphorical level. Or at least less immediately physical. There’s also a scene set in the mews at Ytene. And then there’s Ancient Trust, which is about Carillon
Knitting for the war effort during the Great War involved all sorts of things. Some were simple – wristlets and mufflers (scarves), and socks. (I admit, I am intimidated by knitting socks.) They also included more complex items, like gloves designed to allow for easy shooting of a gun, or caps to be worn under helmets. Elen, the heroine of my latest book, Carry On, does a lot of knitting. I wrote in my last post about wartime knitting in general, but I wanted to give it a try myself. So I spent a bit of time in late November knitting up a set of wristlets. (About 7 hours, all told.) Read on if you’re curious about knitting your own historical pattern. An example I ended up using a modernised pattern from Holly Shaltz, taken from a July 1917 issue of Modern Priscilla Magazine, using patterns from the American Red Cross. There are very similar patterns in British Red Cross guides too. Holly has patterns for a scarf there too. British and American knitting needles are different sizes. Worse, needles during the Great War were also different from the sizes we used today. I was happy to use someone else’s guidance on an appropriate combination. The yarn for these is in a colour suitable for wartime (not quite British khaki, but would not draw attention), Jagger Spun Heather in the Peat colourway. Basically any wool worsted-weight yarn should do for this. My yarn comes from my local yarn shop, Mind’s
Carry On, my latest book, takes place in March 1915, early in the Great War. Knitting for the war effort was still ramping up to some extent, but many people were hard at work knitting all manner of items to go to the front. Elen, my heroine, is no exception. She knits when she’s waiting to be called into someone’s office. She knits when her patient is dozing. She knits when she’s not doing something else with her hands. Basically. What did they knit? There was a huge range of war time knitting, but there were a few constants: The items had to be practical Mufflers (scarves), wristers or fingerless gloves, gloves, socks, and knit caps to go under helmets were the most common, but in the resources below you’ll see patterns for a few other things. Colour mattered Items going to the front had to be a suitable colour. In 1915, this was a bit more flexible, but dark colours or khaki were common. White or other light colours not only would show dirt (and other things) but they could make it easier to spot you in the dark. Wool was great. Wool has a lot of advantages as a fibre. It wicks moisture well, and it will still keep you warm even if it’s wet. It was also widely available in the British Isles Some modern techniques didn’t exist quite yet. If you’re a knitter, you might be wondering about circular needles (patented in 1918, so not quite
