Bound for Perdition is here!

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A copy of Bound for Perdition lying on a piece of aged paper with elegant handwriting. The cover of Bound for Perdition has a man and woman silhouetted in dark brown on a green and brown background, with the woman holding a book while the man gestures. An open blank book and pen are inset in the top right corner.

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In 1917, Lynet has done what seemed impossible. A skilled bookbinder, she’s worked to create magical journals that can readily communicate with each other.

When she returns from leave for the death of her father, she’s given a new challenge – make them faster and cheaper. She and Ellis, the papermaker on the project, struggle to figure out how to move forward. When Reggie is assigned to help them, Lynet isn’t sure what to do with him – or make of him. Recently invalided out of the front, he’s like all the Schola men downstairs who ignore or insult her. But he’s also willing to fetch the tea, take instruction from her, and share some good ideas.

Reggie isn’t sure how much help he can be, but he’s soon swept up by the project’s potential and fascinated by Lynet’s skills and knowledge. When problem after problem crops up for the project, he’s willing to do what it takes to protect the work and keep moving forward.

  • Lynet, a bookbinder
  • Reggie, figuring out who he is now
  • Magical research and development
  • Dealing with recent grief
  • A house party or two
  • Magical journals and their implications

And for those of you who’ve read other books of Albion, a look at Temple Carillon and his wife Delphina, in 1917.

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By Celia

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